THE SKETCHBOOKS OF WILL EISNER


 OK, technically these sketches are not from Will Eisner's "sketchbook," they are preliminary drawings he did to guide his ghost artist, Lou Fine, in creating the finished art for The Spririt comic strip.



 I find it interesting that no matter how brusque and hurried these layouts are,  and no matter how many thousands of panels he had already drawn, Eisner was still motivated to play outside the panel borders with little doodles and sketches:
 


These preliminary sketches showed the essentials of what Eisner thought needed to be in his strip.



All of the trademark closeups and angle shots can be found in Eisner's road map.

Eisner leaves several notes for his ghost artist in the margins



I am not the world's biggest admirer of the draftsmanship in Eisner's finished strips but I am a true fan of the imagination, heart and humor in Eisner's work. 


Popular posts from this blog

THE SKETCHBOOKS OF ALBERT DORNE

Image
Albert Dorne was one of the most remarkable characters in the history of illustration.  The upcoming book,   Albert Dorne, Master Illustrator  (out in November from the fine folks at Auad Publishing) describes how Dorne used his drawing ability to climb from the depths of poverty and illness to international renown as an artist, business leader, educator and philanthropist. Detail   From the introduction to the new book:      Starting with nothing but a talent for drawing, Dorne became (in the words of advertising titan Fairfax Cone) “the highest paid, most successful commercial artist of his time.”   From that position,   he used his drawing skills as a platform for building a multinational corporation that trained tens of thousands of students around the world in the creative fields of art, writing and photography.   Now a wealthy man, he went on to use drawing to help the disabled, became nationally respected for his charitable work a...
Read more

ERICH SOKOL

Image
John Ciardi once said, “Modern art is what happens when painters stop looking at girls and persuade themselves they have a better idea.” Since we've been rambling for the last few weeks about modern art trends, I thinks it makes sense to heed Ciardi's advice and spend a moment visiting the paintings of Erich Sokol, the gifted illustrator / cartoonist for Playboy magazine. Sokol had a splendid sense of light, color and atmosphere. He was far more talented than traditional pin up artists such as Vargas, whose uninspired paintings now sell for tens of thousands of dollars. Note the confidence with which Sokol handles the stripes of light on the beach in the following painting, or his treatment of the foliage in the background. Nothing is labored, and no unnecessary details. Although the beautiful girl was always the centerpiece of the cartoon, if you look closely you will see that Sokol had more fun painting the male counterpart-- the fat doctor, the grizzled farmer, the blusterin...
Read more

FIRST CONTACT

Image
. Every once in a while we do a post on science fiction stories here. For me the genre is just endlessly interesting thanks to remarkable storytellers who break new ground with each advancement in technology, biology, evolutionary psychology, etc. If you add into the mix recent discoveries of planets potentially capable of harboring life in other solar systems, suddenly novels of "first contact" have intriguing new playgrounds. A recent novel I haven't been able to stop thinking about is Blindsight by Peter Watts . It in part explores the questions: If an extrasolar intelligence arrived, would it even be possible for us to parse a completely alien psychology? And how would we react if it seemed to refuse contact or took no notice of our attempts to do so? We have a poor track record in dealing with things we don't understand and that frighten us, and Blindsight is a frightening novel. It has a kind of Richard Dawkins fueled bleakness that makes the story compelli...
Read more