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Showing posts from December, 2011

PORTRAIT OF THE ARTIST IN TIMES OF CHANGE

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You think you've got career problems?  Russian artist Zinaida Serebriakova launched her career just as the world was starting to unravel. Self-portrait as a young art student Zinaida turned 21 during the Russian Revolution of 1905 when widespread violence, poverty and political upheaval did little to help the art market.  Even bigger revolutions were just around the corner.  In 1905, a young patent clerk named Albert Einstein published the theories that would overturn centuries of scientific beliefs and transform our understanding of space and time.  That same year, Sigmund Freud published his revolutionary book describing how our "logical" behavior was really governed by subliminal compulsions and irrational urges.  As if to confirm that the Age of Reason was truly dead, hostile nations were already spiraling toward World War I.  It was in this unpromising environment that Zinaida set out in search of beauty. Zinaida brushing her hair in the mirror During her lifetime se

Portrait Painting in Watercolor and Gouache 10 Week Course

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. . If you live in the LA area and your New Years resolution is to get more painting in and have a good time doing it then come on down to my portrait painting class. It will begin Monday January 9, 7-10pm. We'll be focusing on watercolor but acrylics and other water based mediums are ok too. To enroll contact LAAFA.org , phone (877) MY-LAAFA .

Happy Holidays!

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. . This is a color key painting from the DreamWorks Christmas special "Shrek the Halls". Merry Christmas everyone! .
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. . City at night concept for Puss in Boots. Layout by Christian Schellewald and painted by me. .

ART BASEL MIAMI BEACH

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It's too early in the season for the star of Bethlehem, so that glow in the sky last week could only have been the neon lights from "the most prestigious art show in the Americas," Art Basel Miami Beach : photo by Casey Kelbaugh, New York Times The Miami show, we are told,  brought together 250 "leading galleries" from around the world, "including the world's most respected art dealers offering exceptional pieces by both renowned artists and cutting-edge newcomers." Photo by Casey Kelbaugh, New York Times Don't bother looking for any crass illustration or commercial art at Art Basel Miami, jocko.  This was 100% fine art, in all its finery.  The New York Times described it as "a holy gathering on the annual pilgrimage route of the super rich."  The number of private jets arriving at the local airport rivaled those of the Super Bowl, and a "line of quarter million dollar cars [was] idling while their owners waited for a parking
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. . Background painting from "Sinbad, Legend of the Seven Seas" by Wade Huntsman and Myself. Acrylic and photoshop. .

A.B. FROST, BETWEEN THE LINES

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The great A.B. Frost (1851 - 1928) drew a story about a man who wanted to learn hypnotism.  At one point, the man foolishly decides to practice on his wife: Frost was a master at using the gaps between his drawings to imply a larger story.  People normally focus on Frost's visible lines, but today let's spend a little time focusing on the valuable real estate between the pictures. Frost's line primes our imagination to fill in that empty space.  By setting our imagination to work, he can make a humble little line boundless. This is a good example of how drawing can be superior to movies as an art form.  A movie doesn't leave the same gaps for us to fill.  At a rate of 24 pictures (or frames) per second, movies could effortlessly take up all the vacant space between Frost's first and second drawings, and give our imaginations a rest. But that space performs an important function. As Debussy pointed out, Music is the space between the notes. As another example of the