MARK ENGLISH

Eddie Bauer catalog cover, 1982

The career of famed illustrator Mark English can be divided into three phases.

His first job was picking cotton in the fields around Hubbard Texas for $1.50 per day.  There were no museums or art galleries in Hubbard, but one day English saw a picture on a sign in a store window saying "Welcome Rodeo Fans."  He escaped the cotton fields by teaching himself to paint those signs and earned a living chasing rodeos around the Texas countryside.  After being drafted into the Army he was able to put his experience to work lettering signs for latrines.

In the second phase he became a nationally renowned illustrator who received more awards from the Society of Illustrators than any other illustrator.

English's beautifully sensitive portrait of Dracula

Victorian Interior


In the third phase he became a fine artist, selling his artwork in galleries. 



Right now, some of you are probably saying, "Hey wait-- go back to that part about going from painting latrine signs to being a nationally renown artist.  How the heck did he manage that?"


Well, studying at the Art Center in Los Angeles after he got out of the army surely had something to do with it, but when he was asked about his "biggest break in becoming a nationally known illustrator, " he responded:
[T]here was one job.  I had moved to Connecticut and in my first year there I made 20% of the salary that i had made in my last year.... It was a tough year and I had a lot of time on my hands.  I think not having much work enhanced my career more than anything else.  I spent a lot of time experimenting, trying to come up with something unique and different, and I think toward the end of that year I managed to do that on a job for the Readers Digest [for the book, Little Women]....I think that three or four of the illustrations were accepted into the Society's annual exhibition that year.  One of them won an award and got me a little attention.  After that I got into magazines and my career was launched.
English recalls that during that dry spell at the beginning, he went 8 months without getting a single assignment. His wife was worried and money became very tight but he didn't surrender. "I think [it was] the best thing that ever happened to me, but at the time I didn't think so." English studied Vuillard, Bonnard and other painters, and gradually developed a style that worked for him. "I don't think that I ever worked harder at anytime than I did during those eight months, trying to get better and be more competitive."

That, friends, is how you go from painting latrine signs to becoming a nationally renown illustrator.

Popular posts from this blog

THE SKETCHBOOKS OF ALBERT DORNE

Image
Albert Dorne was one of the most remarkable characters in the history of illustration.  The upcoming book,   Albert Dorne, Master Illustrator  (out in November from the fine folks at Auad Publishing) describes how Dorne used his drawing ability to climb from the depths of poverty and illness to international renown as an artist, business leader, educator and philanthropist. Detail   From the introduction to the new book:      Starting with nothing but a talent for drawing, Dorne became (in the words of advertising titan Fairfax Cone) “the highest paid, most successful commercial artist of his time.”   From that position,   he used his drawing skills as a platform for building a multinational corporation that trained tens of thousands of students around the world in the creative fields of art, writing and photography.   Now a wealthy man, he went on to use drawing to help the disabled, became nationally respected for his charitable work and was appointed by the President of the United S
Read more

GEORGE BRIDGMAN'S ART CLASS

Image
These are original student drawings from the 1911 class of the famous art teacher, George Bridgman. Bridgman, constantly inebriated and chewing on a large black cigar, would rail at his students about the importance of mastering anatomy: "Don't think color's going to do you any good. Or lovely compositions. You can't paint a house until it's built." His students adored him and vied for his approval. Some of the students in this class would grow up to be stars, such as Norman Rockwell , Mclelland Barclay or E.F. Ward . But in 1911 they were still ambitious teenagers dreaming of the future and striving to develop the kind of academic drawing skill that many illustrators today consider irrelevant. The crowded classroom was warmed by the stench of tobacco, charcoal, perspiration and turpentine. Many of the models were girls who had come to the city to work in department stores during a peak holiday season and were laid off after the holidays.  Desperate for money
Read more

FIRST CONTACT

Image
. Every once in a while we do a post on science fiction stories here. For me the genre is just endlessly interesting thanks to remarkable storytellers who break new ground with each advancement in technology, biology, evolutionary psychology, etc. If you add into the mix recent discoveries of planets potentially capable of harboring life in other solar systems, suddenly novels of "first contact" have intriguing new playgrounds. A recent novel I haven't been able to stop thinking about is Blindsight by Peter Watts . It in part explores the questions: If an extrasolar intelligence arrived, would it even be possible for us to parse a completely alien psychology? And how would we react if it seemed to refuse contact or took no notice of our attempts to do so? We have a poor track record in dealing with things we don't understand and that frighten us, and Blindsight is a frightening novel. It has a kind of Richard Dawkins fueled bleakness that makes the story compelli
Read more