ILLUSTRATORS ARE WAY SMARTER THAN EINSTEIN
Everyone thinks Albert Einstein was such hot stuff because he shattered Isaac Newton's classical model of the universe in which all matter conforms to quantifiable laws of physics.
In his Philosophiae Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy) and other works, Newton postulated a universe that operated much like a giant mechanical clock governed by mathematical formulae for time, space, gravity and motion. For centuries Newton's explanation seemed to work just fine.
Then along came Einstein who demonstrated that no matter how accurate Newton's laws appeared on the surface, they failed to account for the behavior of matter at either the subatomic or cosmic ends of the spectrum. His special and general theories of relativity transformed our perception of light, energy, time/space and gravity. Together with Planck, Heisenberg, Bohr and others, Einstein established the foundations of quantum mechanics which opened our eyes to an unpredictable universe of quarks and neutrinos. We now know that classical concepts of causation are an illusion; that light can simultaneously be a particle and wave; that a subatomic particle can move from point A to point B without passing through the space in between; that under the principle of complementarity, matter can have two or more mutually inconsistent characteristics.
Well, I say big deal.
Illustrators, with their sharp eyes and keen powers of observation, already detected many of the same phenomena for which Einstein now claims credit.
For example, Einstein uprooted Newton's concept of gravity by explaining that gravity is not a universal "force" but only the movement of objects along paths in space/time that have been curved by the presence of matter. Below we see how theoretical physicist Art Frahm recorded an event contrary to the rules of Newtonian gravity:
Obviously, this young woman curved the path of space/time. It is likely that Einstein stole his theory from Frahm, whose numerous observations of this phenomenon were well documented as The Falling Panties Collection. Yet, to this day Frahm is ignored by the history books.
Illustrators were similarly prescient about the physical properties of light. The history books would have you believe that Einstein's Equivalence Principle first showed that light is not straight but bends around masses as a result of the curvature of space/time. But look at the aura of light that physicist Frank Frazetta discovered bending around these masses as a result of the curvature of space/time:
Once again, the scientific community has conspired to deny an illustrator the credit he is due.
As another example, illustrators were the first to discover that Newton's explanations for the properties of matter were inadequate to account for the behavior of flowing cloth on beautiful women. Only cloth engineered at the subatomic particle level using the latest nanotechnology could simultaneously flow so freely and yet cling so tightly:
Sadly, it is probably too late for illustrators to receive the credit they deserve for their important contributions to theoretical physics. The history books have been written and there are too many jealous scientists standing in the way.
But illustrators have identified other anomalies in the physical world that could affect other scientific disciplines. For example, note the following unusual behavior of plants that seems to contradict all known rules of classical botany:
In his Philosophiae Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy) and other works, Newton postulated a universe that operated much like a giant mechanical clock governed by mathematical formulae for time, space, gravity and motion. For centuries Newton's explanation seemed to work just fine.
Then along came Einstein who demonstrated that no matter how accurate Newton's laws appeared on the surface, they failed to account for the behavior of matter at either the subatomic or cosmic ends of the spectrum. His special and general theories of relativity transformed our perception of light, energy, time/space and gravity. Together with Planck, Heisenberg, Bohr and others, Einstein established the foundations of quantum mechanics which opened our eyes to an unpredictable universe of quarks and neutrinos. We now know that classical concepts of causation are an illusion; that light can simultaneously be a particle and wave; that a subatomic particle can move from point A to point B without passing through the space in between; that under the principle of complementarity, matter can have two or more mutually inconsistent characteristics.
Well, I say big deal.
Illustrators, with their sharp eyes and keen powers of observation, already detected many of the same phenomena for which Einstein now claims credit.
For example, Einstein uprooted Newton's concept of gravity by explaining that gravity is not a universal "force" but only the movement of objects along paths in space/time that have been curved by the presence of matter. Below we see how theoretical physicist Art Frahm recorded an event contrary to the rules of Newtonian gravity:
Obviously, this young woman curved the path of space/time. It is likely that Einstein stole his theory from Frahm, whose numerous observations of this phenomenon were well documented as The Falling Panties Collection. Yet, to this day Frahm is ignored by the history books.
Illustrators were similarly prescient about the physical properties of light. The history books would have you believe that Einstein's Equivalence Principle first showed that light is not straight but bends around masses as a result of the curvature of space/time. But look at the aura of light that physicist Frank Frazetta discovered bending around these masses as a result of the curvature of space/time:
Once again, the scientific community has conspired to deny an illustrator the credit he is due.
As another example, illustrators were the first to discover that Newton's explanations for the properties of matter were inadequate to account for the behavior of flowing cloth on beautiful women. Only cloth engineered at the subatomic particle level using the latest nanotechnology could simultaneously flow so freely and yet cling so tightly:
Sadly, it is probably too late for illustrators to receive the credit they deserve for their important contributions to theoretical physics. The history books have been written and there are too many jealous scientists standing in the way.
But illustrators have identified other anomalies in the physical world that could affect other scientific disciplines. For example, note the following unusual behavior of plants that seems to contradict all known rules of classical botany:
