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Sunflower. 15"x 20" on arches cold press watercolor paper.
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Albert Dorne was one of the most remarkable characters in the history of illustration.  The upcoming book,   Albert Dorne, Master Illustrator  (out in November from the fine folks at Auad Publishing) describes how Dorne used his drawing ability to climb from the depths of poverty and illness to international renown as an artist, business leader, educator and philanthropist. Detail   From the introduction to the new book:      Starting with nothing but a talent for drawing, Dorne became (in the words of advertising titan Fairfax Cone) “the highest paid, most successful commercial artist of his time.”   From that position,   he used his drawing skills as a platform for building a multinational corporation that trained tens of thousands of students around the world in the creative fields of art, writing and photography.   Now a wealthy man, he went on to use drawing to help the disabled, became nationally respected for his charitable work and was appointed by the President of the United S
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These are original student drawings from the 1911 class of the famous art teacher, George Bridgman. Bridgman, constantly inebriated and chewing on a large black cigar, would rail at his students about the importance of mastering anatomy: "Don't think color's going to do you any good. Or lovely compositions. You can't paint a house until it's built." His students adored him and vied for his approval. Some of the students in this class would grow up to be stars, such as Norman Rockwell , Mclelland Barclay or E.F. Ward . But in 1911 they were still ambitious teenagers dreaming of the future and striving to develop the kind of academic drawing skill that many illustrators today consider irrelevant. The crowded classroom was warmed by the stench of tobacco, charcoal, perspiration and turpentine. Many of the models were girls who had come to the city to work in department stores during a peak holiday season and were laid off after the holidays.  Desperate for money
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