WORDS AND PICTURES

[No pictures today-- I am writing from Beijing, China, far away from my art collection, my scanner and my sweetheart (hi, Nell!). But I'll be home in a few days, when I can update my blog with fewer words and lots of good pictures.]

My feeble attempts to analyze pictures using words reminds me of Flaubert's lament:
Human language is like a cracked kettle on which we beat out tunes for bears to dance to, when all the time we are longing to move the stars to pity.
Don't get me wrong-- I'm a big fan of words. They have a tough job: to tame a wild, omnidimensional universe of feelings, thoughts and sensory impressions into a straight line with punctuation and spelling. All I'm saying is that pictures manage to take me a few inches closer to Flaubert's stars than words do.

Beethoven said, "music is a higher form of revelation than philosophy," and listening to Beethoven's Piano Concerto No. 5, we surely believe him. Music is able to achieve that exalted height in part by leaving behind the limitations of words, just as the abstract part of art-- the shapes and colors and design-- leaves words behind. It is as close to music as the visual arts can come.

Call me sentimental, but I prefer illustration to abstract art precisely because illustration combines abstract visual design with those limiting, confining words that provide the content. Some people see the words part as an anchor. I see it as ballast.

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